More pictures here
And no part of the animal was wasted
More pictures, here
I’ve been working on this Print design. Let me know if you want a copy (still finalising the colours) – or, if you are an expert, if there are any configurations which simply don’t work!
School book from my Grandpa’s collection
I’ve been playing with Voronoi patterns. I’d seen this word as a “noise” setting in C4D and it always works well for a realistic distribution of cracks on a surface. Turns out that is because of the mathematics behind it
I’ve been filming a video detailing the process that Mo Coppoletta, of the Family Business undertook in order to make the label design for Bar Termini’s Negroni Bottles
EDIT: Completed video now viewable here
Like nearly everyone using a computer for visual design, I like to keep a folder of images I have grabbed off the internet. Here is the directory structure I use for the things I find most visually interesting. The underscores mean that even if end up dragging a load of rubbish into the main folder, it is easy to sort at a later date.
This helps me start the day with a nice tidy desktop. Plain grey, no dashboard, a couple of aliases to my most used shared folders and whatever I am working on at that time. (below)
CONCLUSION: Keep all of the chaos. It sustains the colour and the energy in your work, just, for sanity’s sake, find someway of containing it.
A bit of Evil Edna in this one, and more experiments with invisible rigging to get the right mix of real-world dynamics and cartoon animation.
The kickdrum from a Korg Volca Beats put through a Vermona Retroverb and turned, by the magic of C4D into a Hammer of the Gods